For shared facilities it's easy to have a set of mic pres in the common live room that can be routed to, and controlled from any control room. Utilising the flexibility of audio-over-IP, the reliance on expensive, bulky analogue multicore is reduced, while additional recording spaces can be added anywhere there is a network connection. Our RedNet range provides a modular approach to building up the interfacing and high-channel count needs within your facility, with each remote-controlled device dedicated to a specific I/O type, all interconnected using Dante. The built-in Dante connectivity allows the easy addition of extra mic pres, analogue I/O or indeed the integration with an existing audio-over-IP network. Our low-latency, highly-reliable drivers provide seamless integration with many DAWs while the DigiLink Mini ports allow connection directly to Pro Tools | HDX, Pro Tools | HD native and even older Pro Tools | HD TDM systems.
With very low noise, low distortion and ultra-linear design, the Red Evolution mic pres will give extremely accurate representation of the original acoustic performance being recorded. Our Red range offers the ultimate in digital conversion, remote-controlled mic pres and built-in monitor controls coupled with very low latency Pro Tools | HD™, Thunderbolt™ and Dante interface technology.
However not everyone uses the same audio workstation software, with many adopting dedicated DSP options for mixing such as Pro Tools | HD while others use a Core Audio-based application such as Logic or Pro Tools software for tracking and composing tasks. As a result the requirement for mic pres, monitoring control and cue mixes has moved to a combination of the DAW and the audio interface.
The shift to "in-the-box" workflows has reduced our reliance on analogue consoles.
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